Hussein
Chalayan

Gavin
Turk
  • Final Work: �?Four Minute Mile’
    2012

    Unique copper master (used for the pressing of limited edition vinyl of the audio work ‘Four Minute Mile’)
    Framed, mounted and signed by Hussein Chalayan and Gavin Turk
    61x 61cm

    Hussein Chalayan and Gavin Turk collaborated on an audio track, Four Minute Mile, the lyrics of which were taken from the transcript of their first meeting when Chalayan interviewed Turk about his enduring preoccupation with the mythical status and identity of the Artist. The musical collaboration led to a design of rings by Turk, referencing both the Olympic symbol and Duchamp’s rotary sculptures, which appears as the label on the vinyl limited edition. Transferred onto a horizontal spinning disc, the rings also became the set for the video accompanying the track, in which the camera follows the rings as if from the viewpoint of a runner on a track, or a needle in the groove of a record.

    The framed golden disc offered is the unique ‘copper master’ which was created to press the 100 copies of the limited vinyl edition of their track. It is capable of being played on a turntable – but only once, as it would be destroyed in the process. The object contains the voices of its creators, in such a way that they will never be heard.

  • Four Minute Mile (2012). Unique copper master (used for the pressing of limited edition vinyl of the audio work �?Four Minute Mile’) Framed, mounted and signed by Hussein Chalayan and Gavin Turk 61x 61cm. Photographer: Steven White
  • Transcript of Turk's words from their first meeting, with Chalayan's notes
  • Gavin Turk: Ajar (White), 2011 Series of 5 with 2 APs Painted bronze 215.7 x 90.88 x 68cm
  • Gavin Turk : Yellow Sneer, 2011 Acrylic paint on canvas 90 x 60cm
  • Gavin Turk: Garvin Ku't, 2010 Unique artwork. Varnished clay 24 x 35 x 26cm
  • Gavin Turk: Your Authorised Refelction, 2009 Edition of 100. Silkscreen on Glass 45 x 60cm
  • Hussein Chalayan: AW00 Afterwards
  • Hussein Chalayan: Airborne autumn/winter 2007, Courtesy of Chris Moore